Studio 93 — Studio 93 Castaic Filming Location With Cyc Stages And A Working Industrial Backlot

Studio 93 is a multi-building studio complex in Castaic, combining high-ceiling stages with working service yards, backlot lanes and open exterior ground. White and green cycs provide distinct controlled environments, while the surrounding peach-toned industrial buildings offer loading doors, exposed utilities and weathered asphalt. Long views between structures give crews useful depth, with rugged hills rising beyond the property.

Sound Stages and Cyc Filming

The principal studio interiors are broad, high-volume stages with exposed black ceiling grids and clear concrete floors. One has a white cyc sweeping continuously across the rear and side walls, allowing wide framings without a hard horizon. Black perimeter walls and overhead fixtures create a controlled shell around it. The grid remains open for rigging, while floor space supports substantial camera distance. A second studio carries a green cyc around two sides. Vehicles and motorcycles positioned inside establish both its scale and direct access from the loading opening. This green stage gives a music video room for full-body performance, vehicle work and composited movement. Banks of electrical panels sit along the black walls, clear of the principal shooting area.

Backlot Lanes And Industrial Exteriors

Outside, the backlot reads as an established utilitarian studio campus. Peach-painted masonry buildings face broad lanes of cracked asphalt and concrete, with corrugated awnings, exposed pipes, barred windows and oversized loading doors supplying practical industrial detail. Stage markings remain on several elevations. The worn condition works on camera as a service compound without requiring the surfaces to feel newly dressed. The lanes connect multiple courtyards and preserve long sightlines from one building face to another. An exterior metal stair, second-floor walkway and large black slatted screen add vertical structure to one court. Elsewhere, bare ground, white wall flats and a distressed masonry fragment form a rougher exterior that can play an abandoned work yard. Palm trees and mountain ridges give wider angles a clear Southern California context.

Daylight And Shoot Scheduling

Exterior courts receive strong, largely unobstructed daylight, producing hard shadows beneath awnings and along the tall stage walls around midday. Crews can schedule wide backlot work earlier or later for lower contrast, then use the direct sun for graphic building elevations and sharply defined lane perspectives. The open ground offers few visual interruptions across many of those angles. Daylight travels inward from the broad roll-up openings as strong side light, particularly in the workshop and green-cyc stage. Its reach falls off quickly toward the rear, so door-lit shots can be grouped while the sun is useful. When continuity matters, the enclosed white studio and its overhead fixtures provide the controlled alternative. A support corridor uses repeated luminous ceiling coves for an entirely practical-lit look.

Production Access And Support Areas

Wide paved approaches lead directly to the loading doors, reducing the distance between vehicles and the stages. The open parking areas accommodate larger vehicles, and separate courts provide room to organize equipment away from the cyc floors. A gated drive marks the property entrance. For arrival and staging in Castaic, crews can plan around that access and consult the Santa Clarita film permit office while organizing the shoot. Support areas include a working shop with shelving, carts, tools and floor space beside another large door. Post-production rooms and workstations extend the usable production base beyond the stages. A carpeted interior wing adds a long art-lined corridor and a low-ceiling flex room fitted with track lights, acoustic ceiling panels and neutral walls. That room can play a small presentation space while the larger studio areas remain active.