Los Angeles - BH
This location has been verified and photographed by an Image Locations, Inc. photographer. Appearance and condition may have changed since photography. Scouting of location is recommended prior to shoot date(s). ©2002-2026
Mansion 120 has the kind of Beverly Hills presence that reads immediately on camera. From the symmetrical neoclassical facade to the marble foyer, connected formal rooms and long garden views, it feels like a true Old Hollywood estate rather than a set trying to look like one. As a filming location, it gives productions a polished wealthy-home world with strong exterior masters, elegant interiors and enough visual continuity to move a scene from the front doors to the pool without losing the story of the house.
The rear of the mansion is one of its strongest angles. The pale stone elevation, pilasters, shallow pediments, wrought-iron balconies and rows of French doors all line up beautifully with the traditional pool, creating a clean architectural axis that is easy to understand in a wide shot. Across the water, the vine-covered arbor, raised stone fountain and seating area add a second layer, so the garden never feels flat. Direct sun reaches the lawn, pool and rear facade strongly, while the mature trees add patterned shade and texture as the light moves. It is a good setup for garden masters, fashion editorials, lifestyle campaigns or scripted scenes that need a formal Beverly Hills backdrop. When daylight shifts, the production can move naturally back through the French doors into the salon, dining room or kitchen, where softer garden-facing light, full curtains and recessed ceiling lights give crews more control.
The entrance makes a proper first impression. Ornate wrought-iron double doors open into a double-height marble foyer, with a crystal chandelier overhead and a curved upper gallery that gives the space scale. From there, the view carries straight into the main salon, which is useful for shots that need depth across rooms rather than a single isolated setup. The salon feels formal without being stiff, with parquet wood floors, a recessed ceiling, a grand piano and French doors to the garden. Broad arched openings connect it to the library-style sitting room and the formal dining room, so coverage can move between spaces and still feel like one continuous estate. The dining room gives a more controlled composition around the long table, while the cream kitchen, with its substantial island, stainless range hood, breakfast area and glazed doors to the grounds, offers a brighter domestic look within the same filming location.
Upstairs, the marble staircase and ornate iron balustrade lead into bedrooms that keep the traditional luxury language going. Canopy, four-poster and carved wood beds give productions several distinct room looks, with some spaces softened by carpet and drapery and others grounded by tile or marble. The bathrooms add even more period-luxury texture, from the broad pink-marble suite with a corner tub and skylit shower to the compact stone bathroom with a glass enclosure. For arrival scenes, the columned front entrance and paved approach allow room for vehicle work and a full facade angle, with permitting coordinated through FilmLA. Equipment can move through the tall double doors, and the house has useful alternatives beyond the daylight rooms, including a controlled-light home theater with red patterned walls, red carpet, wall sconces and tiered upholstered seating. What makes the property especially workable is the way the foyer, salon, dining room, kitchen and garden doors connect, giving crews a mansion setting that feels grand on camera but still practical to shoot.