Studio 23 — Two Looks, One Stage: Studio 23 Burbank Filming Location with White Cyclorama and Black Bay

Studio 23 is the kind of Burbank filming location that works because the practical pieces are already close together. The main stage opens around a wide white cyclorama with a black shooting bay across the concrete floor, giving productions two very different looks in the same working studio. Overhead, the exposed industrial ceiling keeps the room feeling tall and textured, while the lower support suite keeps makeup, wardrobe, offices and production work within easy reach.

Two Built-In Looks on the Main Stage

The white cyclorama wraps two sides of the studio and creates a clean seamless corner for full-body shots, product setups and lateral camera moves. There is useful floor in front of the sweep, so crews can pull back for wider framing without feeling pinned against the background. The overhead globe fixtures bounce softly off the pale surface, while exposed beams, conduit, silver ductwork and insulation keep a practical industrial character around the stage. Across the concrete aisle, the black-painted bay gives you the opposite mood. Its curved floor-to-wall transition and long dark wall are strong for low-key setups, music videos, commercials and still photography that need a cleaner shadow side. Having the white and black environments side by side is one of the best parts of this filming location, since a crew can build contrast into the day without relocating or resetting the whole company.

Production Offices, Makeup and Wardrobe Close to Set

Beyond the main studio, the support area feels like a straightforward production-office suite: light wood-look flooring, low acoustic-tile ceilings and rooms that are easy to assign by department. The furnished lounge has black leather seating around a coffee table, with an interior window opening toward the adjoining counter area. Nearby, the black-walled conference room has a long meeting table, rolling chairs and a ceiling-mounted projector facing a wall screen, making it useful for production meetings or a base for the day. The lounge gets the clearest natural light, with a broad exterior window behind the sofa sending directional daylight across the seating area. Horizontal blinds can soften it as the sun shifts. Narrow vertical windows also bring light into the wardrobe and changing room, and when the daylight changes, fluorescent ceiling panels, floor lamps and illuminated makeup mirrors keep things practical. Two makeup positions with bulb-framed mirrors and director chairs sit near a separate changing area with garment rails, hangers and full-length mirrors.

Crew Access, Yard Space and Burbank Shoot Logistics

The main floor stays open between the cyclorama, the black bay and the support-side access points, which helps equipment move without cutting through a dressed background. The concrete has the honest wear of a working studio floor, with cracks, patches and tonal variation. A roll-up door sits near the white sweep, and utility equipment and storage stay around the perimeter rather than taking over the center of the room. Outside, the broad paved yard is a real advantage for a Burbank shoot. Passenger vehicles, vans, box trucks and trailers can be organized close to the low industrial building, with permit coordination handled through the Burbank film permit office. The exterior also has its own light-industrial texture, including cracked asphalt, perimeter fencing, utility poles and parked commercial vehicles, so it can offer an authentic exterior angle before the company moves back inside.