Cheviot Hills
This location has been verified and photographed by an Image Locations, Inc. photographer. Appearance and condition may have changed since photography. Scouting of location is recommended prior to shoot date(s). ©2002-2026
Retro 82 feels like a Cheviot Hills filming location that has kept its mid-century identity intact. From the street, the house sits low and horizontal, with long bands of glazing and a bold flat-roofed carport that immediately gives production teams a readable period exterior. Inside, warm wood ceilings, paneled walls, broad communal rooms and a white brick fireplace bring the retro character, while the updated kitchen surfaces make it easy to play the house as either authentically vintage or a more current family home.
The main living room is the heart of the house and probably the first interior most crews will want to see. A gridded wood ceiling carries across black slate flooring, and the wide window wall facing the garden washes the seating area with lateral light. The white painted-brick fireplace sits near the center of the layout, giving the room a strong visual anchor and allowing clean angles back toward the bar, dining room and glass. The ceiling height stays residential, but the room has enough width to make masters and conversational coverage feel natural. When direct sun moves in from the garden side, it creates bright pools across the slate and long shadows against the wood paneling. That shifting light gives this filming location a lot of mood over the course of a day, with the connected dining room, pass-through bar, kitchen and gray media room close enough to pick up additional setups without feeling like a full company move.
The long galley kitchen is clean and practical on camera, with white cabinetry, brass-toned pulls, stainless appliances, a gas cooktop and gray wood-look linoleum underfoot. A broad pass-through opens directly to the paneled living room and breakfast bar, so kitchen action can be covered from outside the working aisle instead of forcing every angle into a narrow space. At the opposite end, the formal dining room has a long polished table beneath a faceted pendant, with blue-and-white striped window treatments giving it a distinct transitional look. Elsewhere, the house offers useful contrast for domestic coverage. The gray media room is lined with low dark-wood cabinetry and opens to a narrow exterior deck through glazed doors. One bedroom has weathered wood wall paneling, green carpet and horizontal clerestory-style windows, while another uses bold blue walls for a more current youth-room feel. The bathrooms have their own texture too, from pale tile and exposed chrome basin plumbing to a compact powder room wrapped in dark blue patterned wallpaper with red bird motifs.
The front of Retro 82 gives arrivals their own scene. The sweeping concrete driveway, shallow roof planes, clerestory windows and broad covered carport create a clean mid-century composition before anyone steps inside. Cars can be framed beneath the canopy or approached along the curved drive, with palms rising behind the house. For Cheviot Hills shoots, the frontage works well for arrival beats and exterior staging, with FilmLA coordinating permit activity. The recessed entry sits behind dark horizontal siding and stays sheltered from overhead sun. The rear of the property opens into a furnished concrete patio overlooking a deep lawn edged by mature trees and hedges. A curved putting green, breeze-block walls and an orange tree add specific suburban detail without crowding the main grass area. The long upper deck runs outside a bank of sliding glass doors, creating strong indoor-outdoor sightlines back into the living spaces. A traditional pool gives productions another exterior setup, while exterior stairs connect the levels and rooftop access offers elevated angles over the house and grounds.