Modern 487 is the kind of Hollywood Hills filming location that gives you a strong frame before you start dressing the scene. The house is contemporary and graphic, with monumental glass, open-plan rooms and a clear view line that runs from the entry through the interiors to the pool. Concrete-toned exterior planes, dark metal cladding and black structural framing keep the profile crisp, while nearly 2 acres of landscaped grounds give productions breathing room around the architecture. Inside, the double-height volumes and restrained furnishings leave space for wide shots, dialogue coverage and polished lifestyle work.
The rear of the property is where this filming location really opens up. A long rectangular pool runs across the lawn on axis with the house and the city beyond, so it frames cleanly from either direction. The grass margins give the water and skyline room on camera, and the pale tiled terrace sits right outside the glass-walled living areas for easy indoor-outdoor setups. The lounge groupings, dining seating and linear fire feature read finished and elevated without taking over the frame. From the pool, the rear elevation has real scale. The two-story glass center is flanked by broad cantilevered wings, with a frameless glass balcony above looking toward the pool, mountains and city. Sliding openings connect directly into the main rooms, which is useful for tracking from terrace to interior or holding long sightlines through the house.
The main living space is one of the strongest production areas because the height does so much of the visual work. Black mullions draw the eye from tile floor to ceiling, and the open-riser staircase with a glass-railed gallery keeps the vertical lines uninterrupted. The seating is intentionally low, so the pool and hillside can stay active in the background without distracting from performance or product. The chef's kitchen sits along one side of the larger living area, with matte black cabinetry, pale veined counters, integrated appliances and a long waterfall island with bar seating. There is also a secondary enclosed kitchen, which gives food, commercial or lifestyle crews a practical prep setting off the main stage. The kitchen-to-lounge axis is open enough for lateral camera moves, reverses and layered action while still keeping the exterior view in play.
With 5 bedrooms and 6 bathrooms, the house offers several private looks without feeling like a different property. One bedroom has pale wood flooring, corner glass and a black fireplace wall, giving it a quiet suite feel against the hillside. Another goes warmer and moodier through recessed ceiling light, neutral walls and darker accents. The home office is a separate view-facing workspace that can play easily as a creative, executive or remote work setting. The principal bathroom is especially clean on camera. A long floating double vanity faces a broad window, while the freestanding oval tub and glass shower each have their own zone. Large-format tile, black fixtures and frosted sliding doors keep everything modern and uncluttered. For a more controlled environment, the enclosed screening room gives productions a darker alternative to the glass-heavy public spaces.
The arrival is simple and cinematic. A long gated driveway crosses the landscaped grounds and lands at a broad front forecourt, which helps when crews are planning arrivals and short equipment moves. Production teams can coordinate through FilmLA, then use the direct approach to the 21-foot steel pivot entry doors. Beside the garage, the covered passage creates a straight line toward the rear grounds. Light is strongest through the rear, view-facing glazing, so the double-height hall, main lounge and kitchen are best scheduled for bright daylight or late-day sun. That is when beams stretch across the tile floors and the city starts to glow beyond the pool. At the front, mature trees and vertical fins soften the light into more filtered bands. When the natural light shifts, recessed ceiling fixtures, perimeter cove lighting and the enclosed screening room give crews steadier options for matching coverage.