Modern 395 — Beverly Hills Mid-Century Filming Location with Glass Walls, Courtyards and a Geometric Pool

Modern 395 is one of those Beverly Hills homes that gives a production a clear visual point of view as soon as you step inside. The house is low-slung and mid-century modern, shaped around glass-walled rooms, planted courtyards and a dark geometric pool. Warm wood structure, pale terrazzo-like floors and broad roof planes keep the architecture crisp, while the art and sculptural furniture add enough color and texture to make it feel like a polished residential filming location rather than a blank backdrop.

Open-Plan Mid-Century Interiors

The main living and dining room has the kind of width productions always look for, with open sightlines across the seating area and through to the kitchen. Exposed wood beams run beneath high clerestory windows, so the ceiling has real architectural rhythm without interrupting the floor plan. At the center, a dark gridded fireplace wall with a pale stone surround gives the room a strong anchor and lets you shoot two distinct looks on either side. The furniture stays low and horizontal, which keeps the mid-century character intact on camera. White molded seating, black leather chairs, walnut panels, colorful abstract art and a faceted pendant all work together without feeling staged. The kitchen shifts cleaner and more contemporary, with a white island, dark full-height cabinetry and a bar counter that can support dining, hosting or casual domestic scenes.

Glass, Courtyards And Natural Light

The pool-facing rooms get the strongest natural light through floor-to-ceiling glass, with sun coming in from the garden and pool side and laying clean patterns across the pale floors. Clerestories and roof openings bring fill deeper into the dining area, while the courtyard glazing keeps a softer green light in play as the sun moves. If a scene needs something moodier, the enclosed screening room gives the house a darker counterpoint. The sightlines are especially useful for a filming location. You can look from the dining room through the living area toward the garden, or frame the seating with the pool visible beyond the glass. A long glazed corridor adds depth for movement, with artwork on one side and courtyard reflections on the other.

Bedrooms, Office And Private Rooms

One bedroom opens straight toward the pool through wide sliding glass panels, with a wood-paneled headboard wall, corner clerestories and garden views all working in the same frame. There is enough clear floor area beside the bed to make the room practical for stills or more intimate coverage, and the pool-facing axis gives you bedding, glass, lawn and water in one composed view. A second bedroom faces a planted courtyard, so it has a quieter, softer look from the sliding doors and corner windows. The office reads immediately as design-conscious and executive, with white built-in shelving, a substantial dark desk and curved wood guest chairs. The private-room coverage also includes a symmetrical wood-lined dressing room, a stone bathroom with a long sunken tub, and a gray stone shower with twin overhead fixtures.

Poolside Angles And Production Flow

Outside, the architecture wraps around a dark geometric pool, giving the exterior a strong California modern identity. The glass walls, flat roof lines and white masonry reflect cleanly in the water, while the lawn edges and pale terraces offer natural camera positions. Shallow steps lead up toward the bedroom pavilion, framed by cycads and mature planting, so the pool area can play as a real Beverly Hills residence with a defined architectural point of view. The approach begins at a paved front drive and a sheltered glass entry, then the single-level wings move through wide interior passages and courtyard-facing walkways. For production planning, teams can coordinate permits with the Beverly Hills film permit office and map movement from the drive into the central rooms. Around the pool, the different wings give you reverse angles from glass corners, covered terraces and the lawn while keeping the house itself in the frame.