Brentwood
This location has been verified and photographed by an Image Locations, Inc. photographer. Appearance and condition may have changed since photography. Scouting of location is recommended prior to shoot date(s). ©2002-2026
Medit 88 is the kind of Brentwood Mediterranean that reveals its scale once you get inside. From the pale stucco frontage and restrained arched entry, the house opens into an unusually large, conservatory-like ballroom with exposed timber trusses, crystal chandeliers, French doors and broad decks just beyond. The interiors lean into an Old Hollywood register, with layered drapery, gilded detail and ornate furnishings, while the exterior stays bright and tropical with palms, stucco, fountains and hillside planting. As a filming location, it can play both lavish private residence and formal reception space without feeling like a standard living room.
The ballroom is the room everyone orients around at Medit 88. It is long, rectangular and much more generous than a typical living room, so wide shots can hold the patterned tile floor, dark crossbeams and pitched timber trusses without collapsing the space into a corner. The open floor lets the separate dining and salon areas read clearly, with crystal chandeliers hanging through the frame and gilt-trimmed seating gathered at one end against a symmetrical wall of windows and draped French doors. At the other end, glazed double doors lead back toward the deeper rooms of the house, which gives productions a clean way to stage entrances or reveal the brighter ballroom from inside. Daylight is a major part of the look here. Long skylights bring strong overhead light, while windows and French doors work in from three sides. The heavy gold drapes can tame some of the side light, although the overhead exposure remains part of the room’s character. When a more controlled setup is needed, the formal dining room gives a quieter alternative with pale walls, a single curtained window and a chandelier centered over the table. For film or stills, the ballroom has the depth to suggest a formal hotel salon, a period reception or a lavish domestic gathering while still keeping the ceiling architecture alive in a wide shot.
The transition out of the ballroom is useful on camera because the central tiled hall is darker and more intimate, looking back toward the bright glazed room. It has a high sloped ceiling, a round carved table, mature potted palms and an ornate fireplace faced in black and cream, with a red tufted settee giving the space a strong color accent. The kitchen is close enough to feel connected rather than separate, opening to the hall through a breakfast bar with granite-patterned surfaces, timber cabinetry and stainless-steel appliances. From there, the house shifts into polished timber floors and more traditional entertaining rooms. The formal dining room carries the Old Hollywood mood with red damask chairs, matching drapes, wainscoting and a crystal chandelier. The living room is broader and brighter, with a vaulted ceiling, exposed ridge beam, fireplace, glass-block bar and carved seating in warm coral tones. Because these rooms each have their own personality but sit within the same flow, this Brentwood filming location can move from one background to another without feeling like a full location change.
The ballroom’s French doors make the rear deck feel like an extension of the set. Cast, crew and equipment can move straight between the interior and exterior setups without routing everything back through the central hall, and the wraparound deck gives practical staging space close to the main room. It also creates clean angles along the glazed facade before opening into furnished patio areas under palms and dense trees. The rear court has a Mediterranean garden feeling, with stone-patterned paving, iron cafe furniture and sculptural fountains. Nearby, a separate paved area surrounds a small sunken spa, shaped by palms, boulders and fencing. The front of the house gives a more restrained arrival shot, with pale stucco, a central arched entry, shallow parapets and a gated drive framed by tropical landscaping. A curved stone balcony with classical balusters adds an elevated exterior angle over the greenery. FilmLA coordinates permits for shooting at this Brentwood house, and below the deck a stepped hillside path drops past mature eucalyptus and dense ground cover for a more natural setting than the formal patios above.