Sherman Oaks
This location has been verified and photographed by an Image Locations, Inc. photographer. Appearance and condition may have changed since photography. Scouting of location is recommended prior to shoot date(s). ©2002-2026
MCM 24 feels like a Sherman Oaks filming location with a clear point of view from the first frame. The exterior is dark, low and restrained, then the house opens into a warm post-and-beam interior with vaulted timber ceilings, clerestory windows and long views through glass to the garden. The living, dining, kitchen, bedroom, office, bathrooms and patio all offer different setups, but they still feel connected by the same clean mid-century modern language.
The living room is where the house really settles into its character. Honey-toned wood floors run beneath a high sloping timber ceiling, with exposed beams continuing into the dining area so the whole space reads as one connected environment. The furniture placement leaves good working room around the seating area, while the built-in white shelving gives productions a simple, camera-ready media wall. Black-framed glass looks out to the patio and hedges, adding depth without pulling attention away from the interiors. The dining table sits naturally between the lounge and kitchen, which is helpful for moving shots or lifestyle scenes that need to carry through the open plan. For stills, it gives you several coordinated mid-century setups without having to reset the entire house.
The dining room opens to the kitchen through a wide pass-through, with a dark counter and three stools that work well as a foreground element. Inside, the galley kitchen keeps things crisp with white flat-front cabinetry, black worktops, a stainless range and hood, and a central island. Glazed doors at the far end add another layer of depth when shooting down the counters. The principal bedroom brings the architecture back in with a vaulted wood ceiling, exposed beams and sliding glass doors facing the lawn. The bathrooms have a cleaner contemporary feel, with long double vanities, pale wood cabinetry, broad mirrors, tiled bathing areas and frosted glazing. A separate home office adds another usable setup, with corner windows and direct access to the garden.
As a filming location, the house has a strong natural light story. The living and dining areas get their main light from the garden-facing glass, while the clerestory windows lift the back of the room and keep the timber ceiling from feeling heavy. Direct sun can create defined patches across the wood floors and bedroom rug, with the hedges outside providing a steady green backdrop. When the direct light shifts, the clerestories continue to give the open plan a softer ambient level. The kitchen is a more controlled space, supported by recessed ceiling fixtures, under-cabinet lighting and a window over the sink. Outside, the covered patio offers open shade, and the overhead slats can throw strong striped shadows for a different look from the bright lawn.
The rear of the house opens to a furnished wood deck beneath a deep roof overhang. Low lounge seating faces a level lawn bordered by dense hedges, mature trees and layered planting, giving exterior scenes a private, enclosed feel. A built-in counter and grill define one end of the patio, while concrete paths around the house create additional angles back toward the garden. At the street, the charcoal facade sits above paired garage doors and a sloping drive, with concrete stairs leading up to a sheltered warm-wood entrance. Wide entry points and ample parking options help with crew and equipment arrival. For Sherman Oaks productions, permitting can be coordinated through FilmLA, with staging planned around the driveway and front approach. A second exterior route runs beside the house through dense planting, so equipment can reach the rear without crossing the main rooms.