Club 33 Multi-Look Los Angeles Club Filming Location for Film, Photo Shoots, and Productions

Los Angeles

This location has been verified and photographed by an Image Locations, Inc. photographer. Appearance and condition may have changed since photography. Scouting of location is recommended prior to shoot date(s). ©2002-2026

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This location has been verified and photographed by an Image Locations, Inc. photographer. Appearance and condition may have changed since photography. Scouting of location is recommended prior to shoot date(s). ©2002-2026

Club 33 works well as a Los Angeles filming location because it gives you three very different club looks without leaving the property. The patio is bright, white, and skylit, with cabana-style booths and real working depth. The street-level room has a black cocktail bar feel, punched up by turquoise tufted seating and glass looking out to the street. Upstairs, the mood turns darker and more theatrical in a saturated red lounge. For film, photo shoot, and production teams, the appeal is that each space has its own identity while still feeling connected.

Skylit Patio Filming Space

The patio is the space to start with when a production needs air, scale, and a polished restaurant terrace look. It sits under a tall translucent and slatted roof, so daylight comes in strongly from above and casts a clean structural grid across the concrete floor. White drapery softens the raised row of curved booths without closing off the room, while colored glass lanterns add small hits of color against the pale setting. From several angles, you can see through café tables, striped banquettes, freestanding lounge groupings, and back toward the compact bar with bottles behind it. This is the club’s broadest working area, and it gives camera enough room to separate from talent. The repeated booth bays are especially useful for symmetrical frames, seated dialogue, or a tracking move along the raised platform. The support posts are visible, but they can work nicely as foreground layers if they are planned into the shot. I would schedule the widest daytime coverage when the roof is brightest, then move into the curtained booths or toward the black-draped end when the scene needs a tighter, more controlled background.

Black Cocktail Bar and Red Upstairs Lounge

At street level, the club changes into a contemporary black cocktail room. The long rectangular bar gives the space a clear anchor, with a dark counter, nailhead-trimmed stools, dense bottle shelving, and rows of stemware overhead. Black columns break the room into lanes without making it feel chopped up, and the turquoise button-tufted sofas bring in the strongest color note. The floor-to-ceiling glazing gives you deep views from the seating toward the street, while the tile flooring keeps the bar area visually consistent. Upstairs has a completely different energy. Wrought-iron gates and a tiled corridor lead into a red lounge wrapped with patterned banquettes. Low cube stools and small orange drum tables keep the center open beneath swags of red, blue, gold, and purple fabric, with a full bottle bar along one wall. It is a strong option for a music video, television scene, or stylized photo shoot that needs a contained performance area with built-in color and lounge dressing. The curtains soften the narrow window light, so this level can hold a darker mood even while the patio stays bright.

Production Flow and Natural Light

One of the useful things about Club 33 is how naturally the looks can connect on camera. Glazed doors bring you in from the street to the black bar, the stair sequence changes the tone as you move upstairs, and the patio can shift between dining tables, lounge seating, and cabana-style booths without hard walls breaking the action. That makes entrance shots, walk-throughs, and scene transitions practical for a filming location that needs more than one visual beat. For Los Angeles productions planning arrivals or exterior-to-interior coverage, permit paperwork can be coordinated with FilmLA while the move through the glazed frontage is designed. The concrete patio and tiled interiors give crews durable working surfaces, but the fixed posts, hanging heaters, and overhead fixtures on the patio should be considered early in camera placement. If the direct street light gets too contrasty, coverage can move upstairs or into the shaded booth line, keeping the shoot moving without losing the club’s continuity.

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