Los Angeles - BH
This location has been verified and photographed by an Image Locations, Inc. photographer. Appearance and condition may have changed since photography. Scouting of location is recommended prior to shoot date(s). ©2002-2026
Mansion 45 has the kind of Beverly Hills presence that makes you want to pull the camera back. The French château-style exterior is all yellow stucco, stone quoins, dormered slate roofs and wrought-iron balconies, with Old Hollywood scale and formal European rooms behind it. For anyone scouting a mansion filming location for film, photo or commercial production, its signature frame is the terraced rear elevation: the sculpted pool below, the monumental split staircase above and the house sitting cleanly in the background.
The free-form pool sits on the lower terrace, framed by pale stone coping, clipped hedges and mature flowering trees, so it never feels like a single locked-off angle. The curve of the water gives crews options for poolside coverage or wider frames. The hero view is uphill from the water, across the twin stone staircases, central fountain and tall retaining wall to the château above. That composition gives commercials, editorials and music videos a polished resort feel while keeping the mansion unmistakably in the shot. Open lawns and furnished stone patios give productions space to pull back, and the upper terraces look down over the pool toward the city. The garden has a few useful changes in mood without feeling disconnected: formal rose beds around an oversized chessboard, then a rock-edged pond with lily pads and red footbridges for a more whimsical insert. Midday is bright and direct on the exposed pool deck and upper paving, while the shaded lawn edges under the trees are useful for softer coverage as the sun moves.
Inside, the principal salon is one of those rooms that already knows where the camera should be. It is high-ceilinged, finished in turquoise-blue paneling with white trim, and lit by tall windows on several walls. The pale parquet floor bounces that light back into the space, while the carved white fireplace, oversized arched mirror, crystal chandeliers and antique seating give it the feeling of a European drawing room. Because the seating is widely spaced, the center stays clear enough for wider compositions and practical movement. When a production needs a different look, the house changes tone quickly. One dining room brings in hand-painted garden murals, French doors and warm wood furniture; another goes ornate in red, white and gold beneath a gilded chandelier. The window-lined salon and mural room are the natural daylight plays, then the darker bar salon can take over with patterned walls, mirrored bottle shelving and saturated blue seating. The billiard room adds black paneling, red fabric walls and a crimson table for more controlled lighting. The chef's kitchen also helps with company activity or food-focused setups.
The house is easy to think of in levels. Broad stone terraces, curved stairs and long iron-railed landings connect the elevations, which gives directors natural places for layered blocking and clean high-to-low sightlines. Balconies look back across the gardens, and the city-view backgrounds can be held when you want the scale of Beverly Hills in the frame. The large covered terrace is another practical zone, with a pale stone floor, several sets of French doors and enough open span to dress for dining, lounge or hospitality staging. Arrival comes through an expansive paved motor court in Beverly Hills, with a columned entrance, circular fountain and broad areas beside the garage wing. For productions planning arrivals or exterior staging, permitting can be coordinated with FilmLA while the formal pool garden remains separate from the front approach. Once on property, wide paved paths connect the terraces, pond and lawns, so units can move between formal architecture, water and landscaped exteriors without constantly routing through the principal rooms.