Retro 26 — A Glass-Wrapped Mid-Century Beverly Hills Filming Location for Poolside Film and Photo Productions

Retro 26 feels like the kind of Beverly Hills house cameras immediately understand: low, glassy and relaxed, with warm wood interiors opening straight onto a broad pool terrace and city views. As a filming location, it gives productions a preserved mid-century mood without feeling frozen in time, moving from timber-lined living spaces to a clean contemporary kitchen, a turquoise tiled bath and exterior areas that stay visually connected through the sliding glass walls.

Pool Terrace With City-View Angles

Out back, the pool sits on a wide concrete deck at the city-facing edge of the property, so the view is part of the setting rather than something you have to work hard to find. The rounded end and long straight side give the water a clean graphic shape on camera, and there is useful working distance around most of the perimeter for wider frames, low water-level shots or setups looking back toward the house. The terrace feels like a finished residential world, with lounge seating and an outdoor dining table rather than a bare pool surround. Mature pines, clipped hedges and bands of ornamental grass soften the concrete without closing off the skyline. Depending on the angle, this area can play as a private Beverly Hills retreat, a poolside lifestyle scene or a natural transition point before the camera moves through the glass into the interiors.

Mid-Century Wood, Glass And Interior Sightlines

Inside, the house still carries its mid-century character in a way that feels immediately usable for film and photography. The main living room is wrapped in full-height wood paneling, with a pale sectional, curved swivel chairs and a low rectangular coffee table gathered around a metal-trimmed fireplace. Because the sliding doors align with the covered patio and pool, a scene can stay intimate while still holding the exterior in the background, or open up into a longer move from living room to terrace. A second lounge gives productions a different mood on the same property, with tufted red, blue and black seating against neutral walls and graphic artwork. The brightest natural light comes from the pool and city-view side, softened near the doors by the roof overhang, while the kitchen gets extra overhead light from rectangular skylights. For a warmer and more controlled look, the timber dining room brings in a pitched plank ceiling, exposed beams, a substantial wood table and enough open wall area for medium or wide coverage.

Kitchen, Color Details And Production Flow

The kitchen has a more streamlined contemporary feel, with long horizontal-grain cabinetry, white counters, a mosaic backsplash and a central island that can be worked from every side. At the far end, the round breakfast table sits right against corner glazing, looking out over the lawn and view, which gives even a simple morning scene or product setup a strong sense of place. There are also smaller rooms with real visual punch. The turquoise tiled bathroom offers saturated color, glass partitions and a bold geometric backdrop around the tub and shower, which makes it especially useful for stills, beauty work or stylized commercial moments. The bedrooms stay quieter and more neutral, including one with a broad picture window framing the pool, trees and skyline. Arrival has its own architecture too. Twin planted courtyards lead beneath a glazed gable to a tall wood feature wall with radiating linear patterns, giving the front of the property a strong opening frame. For a Beverly Hills filming location, the front drive, enclosed courtyard, broad rear deck and connected interiors give crews distinct areas for arrival, staging and resets, with permitting coordinated through the Beverly Hills film permit office.