Malibu
This location has been verified and photographed by an Image Locations, Inc. photographer. Appearance and condition may have changed since photography. Scouting of location is recommended prior to shoot date(s). ©2002-2026
Modern 234 is a Malibu filming location with a very clear screen identity: glass, steel, roof light and polished metal, all set against open grounds. The house can read as a futuristic residence or a private technology campus, but it still feels usable for production because the interiors connect easily to terraces, lawn, pool and wider landscape. You get sharp architectural drama and real Malibu scale in one place.
The main salon is the house's hero space. It is a double-height room framed by exposed steel trusses, polished concrete flooring and a tall grid of glass that rises almost to the pitched roof. The white sofas and armchairs sit like movable islands, so the room stays open for wide masters, moving camera work and clean product setups. One of the strongest views runs across the seating toward the stainless-clad cylindrical core, which gives the camera both depth and a reflective architectural backdrop. Daylight is a major part of the look here. It comes in from opposing glass walls and broad roof lights, creating hard linear bands across the floor and furniture, while the frosted clerestory panels keep softer light coming from above as the day shifts. The black kitchen and the areas behind the metal core give the same filming location a darker, lower-key option when needed.
The kitchen has a bold, graphic presence on camera. Glossy black cabinetry, a broad island and full-height metal appliances sit beneath the stainless mezzanine edge, giving the pale stone floor a strong contrast. Because the kitchen opens back toward the glazed living area, shots at the counter can still hold depth behind talent. Nearby, the white pedestal dining table, ribbed metal wall and oversized spherical pendant create a compact retro-futurist dining scene without much adjustment. The bedrooms continue the exposed-frame language in different ways. One sits inside a tall steel grid under roof glazing, with glass walls that open the view toward trees and lawn. Another has white walls, dark carpet and colorful framed art, which is softer and more contemporary. The large bath brings in a different texture again, with a long black mirrored vanity, stone columns, a glass shower enclosure and curved floor-to-ceiling windows. The reflections add layered sightlines, and the adjacent corridor gives productions a clean approach for entrances or tracking shots.
Outside, the house shifts into a low industrial Malibu profile with pale metal panels, broad paved terraces, horizontal railings and stepped approaches. The long rectangular pool sits flush within the large lawn, leaving open grass on both sides for full-length pool shots and wider compositions with the mountains behind. Mature trees give the edges shade without blocking the horizon. For Malibu shoot planning, crews can coordinate permits with FilmLA and organize arrival around the broad paved forecourt and stepped main entrance. The terraces are useful for reverse angles back to the glazed facade, with furnished seating areas that can work in daylight or under practical exterior lighting. Farther out, the open fields and helipad expand the scale beyond the house itself. Sunset is especially clean from the pool lawn or outer terrace, where the ridgelines stay open behind the architecture.